The Wrong Biennale è una biennale d'arte indipendente, senza scopo di lucro, multiculturale e collaborativa dedicata a mostrare l'arte digitale a un pubblico globale. Decentralizzato per progettazione, è organizzato sia online che offline da curatori indipendenti che presentano opere d'arte selezionate in padiglioni e ambasciate in tutto il mondo. Ogni due anni, collega curatori, artisti, istituzioni e il pubblico per creare una vasta mostra di mostre, ora riconosciuta a livello internazionale come riferimento leader nell'arte digitale contemporanea. The Wrong ha ricevuto una menzione onoraria dall'iniziativa S+T+ARTS della Commissione europea e recentemente si è unito all'IBA - International Biennial Association come nuovo membro istituzionale. Fin dalla sua nascita nel 2013, The Wrong Biennale ha caratterizzato oltre dodicimila artisti e curatori, con il loro lavoro presentato in più di novecento padiglioni, ambasciate e istituzioni, plasmando l'arte contemporanea e la cultura digitale in tutto il mondo. 

https://thewrong.org/

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Questo l’elenco di mostre online che hanno accolti i lavori di Bertoglio.

Fragility in the Eye of the Beholder.

Drift between shadow and glare, where the gaze of machines unsettles the ground beneath us. Whispers of fiction and memory, bodies under watch, and identities refracted through invisible codes. Here, the act of looking becomes fragile, slipping between _control and _resistance, _silence and _revelation. Step closer, and let yourself be seen.

Works by blanche the vidiot, CickinDunt, Demelza Kooij, Domme Ewan, Gray Cake, Gwenba, Josh Wirz, Mateusz Janik, Mushy Legs Collective, Neil Quigley, Nicola Bertoglio, Vika Malysheva, Wei-Fang Chang. Project supported by Creative Scotland.

Embassies at _VOID Nomadic Gallery
Glasgow, a collab with 16 Collective.

Aberdeen, a collab with Kooperator Space.

Curated by Olesya Ilenok and Andrey Chugunov.
Glasgow, Scotland.

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Opera digitale presentata: “Recognize me”. 

Tender Machines.

Open a shifting corridor between intimacy and circuitry, where moving images, interactive works, and digital gestures unsettle the line between human and machine. In this online exhibition, artists reveal the tenderness of systems that read us, misinterpret us, and echo us back in strange forms. Desire, error, and fragility pass through these works, asking what closeness means when mediated through code and screen.

Works by Cecil Lee, Celina Collot, Charlie Tweed, Emily d'Achiardi, Gala Mirissa, Ivan Iovine, Jenia Filatova, Leslie Predy, Megan Volpe, Nicola Bertoglio, Quinn Ray Keck, Stella Olivier, Tom Milnes, Zander Porter.

Curated by Sean Carroll & Anoushka Carroll.
New Media Art Club.
Leicester, England.

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Opera digitale presentata: “You hurt me”. 

Holographic Selves.

Jump into a quantum mirror where identity is refracted through artificial intelligence. The works explore how the self becomes holographic—fragmented yet whole, endlessly mirrored across code, myth, and flesh. Through glitches, devotion, and digital echoes, these pieces reveal the self as a shifting network of entangled, ever-becoming portals.

Works by Álvaro Fernández Melchor, Benjamin Armijo, Bodini, Claudi Sovrè & Nejc Trampuž, Dawnia Aka Letsglitchit, Edgar Fabián Frías, Egan Dart, Elsa Muller, Elyse Johnson, F. C. Zuke, Garrett Lynch Irl, Hechamugre, Kallenia D, Lineadeluz, Lou Liska, Marie Le Moigne, Madam Memoticon, Nicola Bertoglio, Nuwanliss, James Porrit, Rudy Paganini, Yichu Li.

Curated by Lineadeluz.

The Selfie Institute for Selfie Studies. 

Ciudad de Mexico, Mexico.

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Opera digitale presentata: “An augmented version of my Selfie”. 

#N/A: n41ve avenue.

In a world shaped by AI, naïveté becomes both an accusation and an invitation. Too curious, too slow, too hopeful - yet always returning as a quiet thread through our encounters with the machine. #N/A: n41ve avenue invites you to linger in this space of unknowing, tracing the frictions, failures, and fragile wonders that emerge in refusal to stay in line with existing rules and expectations. 

Works by Cẩm-Anh Lương, Đặng Khang Ninh, Emily Sarten, Hà Thảo, Hân Đào, Ivy Vo, Lê Thanh Thảo, lphg, Lyon Nguyễn, Nicola Bertoglio, Nguyễn Thái Bảo, Nguyễn Hoàng Gia Bảo, Nguyễn Hoàng Giang, Ricardo Bodini, Taís Koshino, Valentin Sismann.

Curated by Nhi Phan, CodeSurfing.

Ho Chi Minh City, Vietnam.

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Opera digitale presentata: “The AI dance with us!”. 

VerbivocoVirtual.

Celebrate the art of the word — poetry — as the art of human dissatisfaction in the face of the limits of language. Poets are expected to explore ways of pushing the boundaries of conventional verbal dynamics: crossing the borders of literature into graphic arts, photography, performance, video and many other languages. Additionally, we are particularly interested in works that make use of or reflect upon aspects of artificial intelligence, while operating in the domain of words through digital media — drawing connections with practices such as electronic poetry, digital poetry, visual poetry, video poetry and expanded poetry, among other forms.

Works by 0nty, Adrián Ávila Pérez aka thewebsterror, Alejandro Thornton, Alexandre De Nadal, Amante da Heresia aka. Léo Pimentel Souto, Amazonahightech, Ana Suárez, Arnaud Laffond, Beáta Kolbašovská, Ciberpajé & C.N.S., Claudio Mangifesta and Fabio Doctorovich, Débora Daich, F. C. Zuke, Fabio Fon, henrique.exe, Ines Beatriz Yajima Habara, Jerónimo Emiliano, John-Robin Bold, Jürgen Trautwein and Silvia Nonnenmacher, Karen Caetano, Marcela Peral, Marcos de la Fuente, Mercedes Bautista, Nico Vassilakis, Nicola Bertoglio, Paula Valéria Andrade, Ranura vacía + Blackineel, Raphael Ferreira, Ro Barragán, Rodolfo Mata, Sergio Araht, Sohyun Lee, Soraya Braz, Steve Dutton, Tassia Mila, Tchello d'Barros, Tina Escaja, Tobias Gaede, Tulio Restrepo, Vassilis Konstantinou, Yichu Li, Zhongyao Wang.

Curated by Fabio Fon, Rodolfo Mata and Soraya Braz.
São Paulo, Brazil.

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Opera digitale presentata: “Mechanical poetry to the clouds #2”. 

Infinite Self.

An invitation for seekers to explore the evolving nature of the Self and its relationship with AI. Drawing on the ancient call to “Know Thyself,” it evokes timeless yet timely quests of identity, gender, spirituality, ritual magick, and transpersonal, ever expanding forms of art and collective selfhood. Artists venture into technoetic and imaginal realms where AI acts as an aesthetic catalyst for transformation. Infinite Self opens portals to more than human planetary consciousness, fluid selves, and visionary cybernetic futures.

Works by Anna Utopia Giordano, Dr Leonardo Barilaro, Romina Rahnamoun, Susanne Layla Petersen, Yichu Li, Gioula Papadopoulou, Olga Papadopoulou, Joseph Nechvatal, Luciana Haill, Plamen Yordanov, Zhongyao Wang, Zazie Productions, Garrett Lynch IRL, Nicola Bertoglio, Marcel Moonen, Maro Vedava, Degard, Claudi Sovrè, Nejc Trampuž, Mora Ibarra, Erica Crompton, Susan Detroy, Elena Shilova, YunXuan Yang, Caroline McManus, Aleksei Martyniuk, Vesna Stawa, Lila Moore, Io-See.

Curated by Dr Lila Moore.
Cybernetic Futures Institute.

London, England.

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Opera digitale presentata: “Sitting with myself in the Metaverse”. 

The Natural / Generated Bodies.

How do we inhabit our bodies in the age of Artificial Intelligence?  What forms, boundaries, and possibilities emerge when the body is no longer only matter, but also image, avatar, data, and projection? The perception of the body in art has been questioned and redefined over the centuries. We invite artists, performers, digital and multidisciplinary creatives to explore and interpret the body and the multiple bodies — physical and virtual — that we inhabit and traverse today.

Works by Büşra Ergin, Claudia Tong, Daniel Romano, Danielle King, Dom Barra, Estelle Cortet (Telle), Francesco Muggetti, Garrett Lynch IRL, Gioula Papadopoulou & Olga Papadopoulou, Irina Zadorozhnaia, Kantfish (Emanuele Giusto), Kate Armstrong, Liam Somerville (Capital Waste), Maja Gregl, Nasrah Omar, Nicola Bertoglio, Paulius Sliaupa, Rachelle Beaudoin, Robert Sherwood Duffield, Vibeke Bertelsen.

Curated by Nicola Bertoglio, Pietro Cusi.

Alveare Culturale Studio.

Milan, Italy.

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Opera digitale presentata: “The worshiper”. 

Dance With.

This virtual space is a collaborative archive of memory and imagination. It houses a collection of 3D objects, born from participants' personal keepsakes and translated into digital form using AI. Each object is activated by a short Augmented Reality (AR) performance, where dance and movement explore the narrative woven between the physical and the virtual. Visitors are invited to wander through this ethereal landscape and witness the playful, poignant interplay of memory, materiality, and digital embodiment.

Works by Julia Baranyuk, Alfiya Shamsutdinova, Lia Ashirova, Audrey Chou, Anastasia-kit Mednikova, Evgenia Glazunova, Mika & Vika (Anna Mikhailova, Viktoria Zheleznova), Nicola Bertoglio, Teresa Leung, Wasilysa Krasnoyarova, Nastia Eghorova, Ksenia Kudasova, Ilya Karpel.

Curated by Julia Baranyuk.

Moscow, Russia.

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Opera digitale presentata: “The old camera”. 

https://thewrong.org/AIID

Ai ID.

Digital facial photography is related to various issues. Among trivial games there is oppression, manipulation, data collection. Social media platforms take up more and more of our time, the number of CCTV cameras is increasing. Technology is moving forward faster than we can read about it. Let's explore the possibilities related to virtual identity. Who do I want to be online? Who am I, even though I don't want to be? How does my virtual self affect my real one? What do I know about others, and what do they know about me?

Works by Nicola Bertoglio, Blanche the vidiot, Mateusz Janik, Karolina Maliszewska, Aleksei Martyniuk, Arden Schager.

Curated by Karolina Maliszewska.

Warsaw, Poland.

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Opera digitale presentata: “Sitting with myself in the Metaverse”. 

https://thewrong.org/AutoObscura

Auto Obscura.

A journey from the traces of artists’ hands to algorithmic whispers where creative gestures meet digital currents, and human touch dissolves into data’s gaze. Through bringing to the forefront voices often absent, the pavilion becomes both mirror and lens, reflecting how intelligence, artificial or otherwise, dreams into being the stories that make us. 

Works by Kim Soo Goodtrack, Arzu Kaplan, Inessa Ruzh, Marie Le Moigne, Reuben Brown, Veera Romanoff, Nicola Bertoglio, Sepideh Takshi, Dan Yang, Litia Roko.

Curated by Bahar Cemre Gökçe, Jennifer LeCaine.

Venice, Italy.

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Opera digitale presentata: “The experiment of the Thinking Man”.